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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Gyaru-moji (ギャル文字, "gal's alphabet") or heta-moji (下手文字, "poor handwriting") is a style of obfuscated Japanese writing popular amongst urban Japanese youth. As the name gyaru-moji suggests ( gyaru meaning "gal"), this writing system was created by and remains primarily employed by young women.
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.
Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
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Originally pursuing calligraphy only for the love of writing, he has gone on to develop new pathways and styles of traditional Japanese calligraphy through collaborations, art shodo, and live performances. Uehira is considered a pioneer of live calligraphy and continues to create innovative works with hopes of expanding interest in Japanese ...
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Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...