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His Tristia, Op. 18, written in the 1830s although not published until 1852, included "La mort d'Ophélie" ("The death of Ophelia"), a setting of a ballade by Ernest Legouvé, the text of which is a free adaptation of Gertrude's monologue in act 4, scene 7. Berlioz married Smithson in 1833, although their relationship ultimately fell apart.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Her 1883 three-scene prototype of William Shakespeare's play Hamlet created a prescient solution for offering parallel views of multiple textual versions; textual scholar Ann Thompson writes of this prototype that "the sample demonstrates that, once completed, Teena Rochfort Smith's edition would have been the most complex presentation of the texts of Hamlet ever attempted". [5]
The full conflated text of Hamlet can run to four hours in performance, so most film adaptations are heavily cut, sometimes by removing entire characters. Fortinbras can be excised with minimal textual difficulty, and so a major decision for the director of Hamlet, on stage or on screen, is whether or not to include him.
Hamlet bibliography is flourishing online. HyperHamlet is a growing database that links to each word of the text, where possible, critical and intertextual annotated citations ("text" including cinema, plays, illustration etc.), linguistic notes, texts that "happen to" quote, and additional on-line sources.
After its discovery in 1823, its initial editors typically took the view that Q1 was an early draft of the play, perhaps even a revision of the Ur-Hamlet, but John Payne Collier argued in 1843 that it was simply a bad version: a "pirated" text, one of the "stol'n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors", which were denounced in the preface to ...
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
Hamlet Q1 (1603), the first published text of Hamlet, is often described as a "bad quarto".. A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or ...