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Empusa is a character in Faust, Part Two by Goethe. She appears during the Classical Walpurgis Night as Mephisto is being lured by the Lamiae. She refers to herself as cousin to Mephisto because she has a donkey's foot and he has a horse's. Empusa is the name of the ship used by Count Orlok to travel to Wisborg in F. W. Murnau's film Nosferatu ...
The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
[148] [149] Images of Jesus as a healer replaced images of Asclepius and Hippocrates as the ideal physician. [149] Jesus, who was originally shown as clean-shaven, may have first been shown as bearded as a result of this syncretism with Asclepius, [150] [151] as well as other bearded deities such as Zeus and Serapis. [151]
This shows a section of Odysseus' ship attacked by the monster Scylla, whose body in Greek sources sprouted a whole range of tentacles and wolf-like heads. In art she was normally represented as an oversized female from the midriff up, with a ring of dog or wolf heads on long necks at the waist, and large tentacles or a long fishy tail as the ...
The novel's title (Empuzjon in Polish) is a neologism by Tokarczuk derived from the name for a shapeshifting female demon called Empusa who was thought, in Greek mythology, to prey upon men. [1] The spectre was understood as being commanded and sent by the night goddess Hecate. [9] Empusa is mentioned in Aristophanes' play The Frogs. [10]
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
The Christ myth theory, also known as the Jesus myth theory, Jesus mythicism, or the Jesus ahistoricity theory, [1] [q 1] is the view that the story of Jesus is a work of mythology with no historical substance. [q 2] Alternatively, in terms given by Bart Ehrman paraphrasing Earl Doherty, it is the view that "the historical Jesus did not exist.