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Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [12] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
Sonata for piano four-hands (1938) Alan Hovhaness (1911–2000) Child in the Garden, Op. 168 (1958) Marie Jaëll (1846-1925) Valses pour piano á quatre mains, Op. 8 - piano four-hands Voix du Printemps - piano four-hands. György Kurtág (born 1926) Suite (1950–51) Játékok, volumes IV and VIII (1979, 2010) Constant Lambert (1905-1951)
The opening Andante in D major starts with chords played by the orchestra contrasting with a sunny woodwind theme. The tension slowly builds to a D minor Allegro section in sonata form. The orchestra takes up the main theme in D minor taken from a song entitled "Autumn Storm."
The latter is more often referred to as a piano duo. [3] The piano duet came to popularity in the second half of the 18th century. Mozart played duets as a child with his sister, and later wrote sonatas for four hands at one piano; Schubert was another composer who composed for the genre, notably with his Fantasy in F minor, D. 940.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
The vast majority of Dussek's music involves the piano or harp in some way. He wrote 35 sonatas for piano and 11 for piano duet, as well as numerous other works for both configurations. His chamber music output includes 65 violin sonatas, 24 piano (or harp) trios, and a variety of works for harp, harp or piano, or harp and piano.
Like Handel's organ concertos, in the nineteenth century his concerti grossi Op. 6 became widely available in versions for piano solo, piano duet and two pianos. Breitkopf and Härtel published two piano arrangements of four of the concertos by Gustav Krug (1803–1873).
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