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Due to the popularity of Sophocles' play Antigone, the ending of Seven Against Thebes was rewritten about fifty years after Aeschylus' death. [4] While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a ...
Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 50 ]
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
A number of "remarkable" legends concerning the death of another of the three great Athenian tragedians are recorded in the late antique Life of Sophocles. According to one legend, he choked to death on an unripe grape. [21] Another says that he died of joy after hearing that his last play had been successful.
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
This theme of all being lost to war and death is a common one throughout the world of ancient tragedy. This theme is most clearly illustrated in Aeschylus' great trilogy the Oresteia and in Sophocles' trilogy on Oedipus. As in Hecuba's speech, characters from the works of Aeschylus and Sophocles both lament their great losses and what has led ...
Journal of the conversations of Lord Byron (1824), The Agamemnon of Aeschylus, translated into English verse 1832, The life of P. B. Shelley 2 vols. (1847) Thomas Medwin (20 March 1788 –2 August 1869) was an early 19th-century English writer, poet and translator.
Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.