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Tax deduction at source (TDS) has come into existence with the motive of collecting tax from different sources of income. As per this concept, a person (Payer) who is responsible to make payment of specified nature to any other person (Payee) shall deduct tax at source before making payment to such person (Payee) and remit the same into the account of the Central Government.
The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Jean-Baptiste Oudry's design for La Fontaine's fable, 1759. An enfeebled fox is plagued by flies, ticks or mosquitoes, of which a hedgehog offers to rid her. The fox refuses such help on the grounds that the insects have already gorged themselves on her blood and hardly trouble her now, but they would inevitably be succeeded by new swarms if removed.
Aesop's Fables (previously titled Aesop's Film Fables and Aesop's Sound Fables) is a series of animated short subjects, created by American cartoonist Paul Terry. [1] Produced from 1921 to 1934, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930).
Perry 537. Aesop and the Writer Perry 538. Pompey and his Soldier Perry 539. Juno, Venus, and the Hen Perry 540. The Bullock and the Old Ox Perry 541. Aesop and the Victorious Athlete Perry 542. The Ass and the Lyre Perry 543. The Widow and the Soldier Perry 544. The Two Suitors Perry 545. Aesop and his Mistress Perry 546.
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Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...