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The painting shows a nude, redheaded woman riding a black, frenetic horse. The horse bares its teeth, its tongue hanging out. Its nostrils are dilated and foam runs from its mouth. The woman riding the horse tightly clasps its neck with her eyes closed, her loose hair fanning out and flowing upwards to mingle with the horse's mane.
In Shoshone Crossing, the snow-filled meadow in which horseback riders are crossing appears from farther away to be the shape of a running horse. Her twenty-four set collection of paintings of dark-brown horses set against light brown rocks and white snow, from a distance and arranged in order spell out the words Hide and Seek .
Lucy Elizabeth Kemp-Welch (20 June 1869 – 27 November 1958) was a British artist and teacher who specialized in painting horses. Though increasingly overlooked after the Second World War, from the late 1890s to the mid-1920s she was one of the country's best-known female artists.
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Horsewoman is a painting by the Russian artist Karl Bryullov (1799–1852), produced in 1832 and preserved in the State Tretyakov Gallery in Moscow (inventory no. 212). The size of the canvas is 291.5 × 206 cm [1] (according to other sources 293 × 209.8 cm). [2] The painting was commissioned by Countess Yuliya Samoylova in Milan. [3]
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. [1] [2] This painting is one of four depictions of the same subject that Manet created over four years. [3]
La Femme au Cheval is an oil painting on canvas with dimensions 162 × 130.5 cm (63.8 × 51.4 in). As the title indicates the painting represents a woman and a horse. The rather elegant woman wearing only a pearl necklace and the horse are immersed in a landscape with trees and a window (in the 'background'), a vase, with fruits and vegetation (in the 'foreground') clearly taken from the ...
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