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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
A mosaic scene of the Crucifixion of Christ at Holy Trinity-St. Nicholas Greek Orthodox Church. ... of the story of the birth, life, death and resurrection of Christ. Father Mark launches into the ...
The triptych depicting the Resurrection. The Resurrection of Christ is a triptych painting in oil on panel by Peter Paul Rubens, of 1611–1612, that is still in the Cathedral of Our Lady in Antwerp, Belgium. The panels were hinged, with the two wings painted on both sides, by this date a rather old-fashioned format.
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
In this type of icon, Jesus Christ is depicted as an old white-haired man. The basis of this iconography is consubstantiality - the doctrine that Jesus and the Father are one. This very image of God the Father is used in New Testament Trinity icons; until the Great Synod of Moscow in 1667 it was a matter of theological debate whether the ...