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Mohamad Hafez (Arabic: محمد حافظ; born 1984) is a Syrian-American artist and architect living in the United States. His work primarily explores around the stories and dislocation of Syrian refugees.
Hafez often took advantage of the aforementioned lack of distinction between lyrical, mystical, and panegyric writing by using highly intellectualized, elaborate metaphors and images to suggest multiple possible meanings. For example, a couplet from one of Hafez's poems reads: [citation needed]
Naqdhā rā bovad āyā is a short ghazal (love poem) by the 14th-century Persian poet Hafez of Shiraz. It is no. 185 in the Qazvini-Ghani edition of Hafez's poems (1941). The poem is famous for a fine Persian miniature painting of 1585 illustrating the scene. In this poem Hafez advises hermits and ascetics to abandon their way of life and take ...
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
Dūš dīdam ke malā'ek dar-e meyxāne zadand is a ghazal by the 14th-century Persian poet Hafez of Shiraz.The poem is no. 184 in the edition of Hafez's works by Muhammad Qazvini and Qasem Ghani (1941), [1] and 179 in the edition of Parviz Natel-Khānlari (2nd ed. 1983).
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Yusuf and Zulaikha (Joseph chased by Potiphar's wife), by Behzād, 1488. A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa.
Originally, the album paintings and drawings within this collection were attributed to the name of Muhammad Siyah Qalam. The works bear either hastily written jottings or elegant nastaliq attributions to the name, with some including the title of Ustad or “the Master,” showing that the artist held some status.