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No speaker, monitor or hi-fi sound system, regardless of the design principle or cost, has a completely flat frequency response; all speakers color the sound to some degree. Monitor speakers are assumed to be as free as possible from coloration. While no rigid distinction exists between consumer speakers and studio monitors, manufacturers ...
Yorkville Sound is a Canadian manufacturer of audio amplifiers (including the Traynor amplifier line), loudspeakers and related professional sound reinforcement equipment. [1] [2] Based in Pickering, Ontario, Canada, the firm has a global presence as an importer and exporter of audio electronic products. [3] [4]
The white van speaker scam is a scam sales technique in which a con artist makes a buyer believe they are getting a good price on home entertainment products. Often a con artist will buy inexpensive, generic speakers [1] and convince potential buyers that they are premium products worth hundreds or thousands of dollars, offering them for sale at a price that the buyer thinks is heavily ...
The Yamaha NS-10 studio monitor, identifiable by its horizontal lettering and distinctive white cone. The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment.
This is a list of notable manufacturers of studio monitors. ... ADAM Audio: Germany: AX series, S series, T series, A series Alesis: United States: Elevate, M1
A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band ...
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Polk Audio used a two-way configuration on almost all its speakers, such as the popular Monitor 10 and Monitor 12, typically with 6.5-inch mid/bass drivers with rubber surrounds and passive radiators. The Monitor 12 was quite capable for its day, having bass response to 18 Hz, a free-air mounted tweeter, and 500-watt RMS power handling.
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