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Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1] The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305.
The Lamentation of Christ is a topic in Christian religious art, especially popular in the High Medieval, Renaissance, and Baroque periods, which depicts the moment of mourning following the Crucifixion and lowering of Christ's body from the cross. Mantegna's variant includes some aspects commonly associated with the scene, including the ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
The Lamentation of Christ by circle of Rubens (Alte Pinakothek) Lament over the Dead Christ (Veronese) The Lamentation of Christ (Anthony van Dyck, Alte Pinakothek) Lamentation (Annibale Carracci) Lamentation (The Mourning of Christ) Lamentation of Christ (Dürer, Nuremberg) Lamentation of Christ (Bouts) Life of Christ (Giotto)
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica.
The Mourning of Christ, c. 1513–1520, oil on wood, Kunsthistorisches Museum, Vienna. Giovanni Girolamo Savoldo, also called Girolamo da Brescia (c. 1480–1485 – after 1548), was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy.
The subject of the Lamentation of Christ has been painted since the inception of Christianity and it was a common subject of Italian Renaissance painters. Botticelli completed another version entitled Lamentation over the Dead Christ between 1490 and 1495. The current painting was completed around the same period between 1490–1492.
The positioning of the two bodies creates the Pieta, which means pity in Italian and is a representation of The Virgin Mary mourning dead Christ. [3] The Three Maries are circling the inner group expressing despair. Mary Magdalene is positioned at the feet of Christ in turmoil. Saint John sits above The Virgin Mary and cradles her head in an ...
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