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Gadson started to become well known as a drummer following the release of the album Still Bill by Bill Withers, [5] released by Sussex Records in 1972. He played on The Temptations album 1990 , [ 6 ] released on the Motown label in 1973.
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "Hearing Withers urge the audience on, as drummer James Gadson and pianist-arranger Ray Jackson drive their crack combo, really wipes out the man's MOR aura—nobody else in the music combines hard rhythms and warm sensuality so knowingly. A ...
Withers was a guest musician and composer on the 1973 Feliciano album Compartments. Legal tussles between Withers and Sussex prevented further recording sessions until Columbia signed the singer a year later. Columbia bought Withers' back catalog, re-releasing his earlier hit records, but +'Justments was not reissued on CD until 2010.
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Still Bill is the second studio album by American soul singer-songwriter and producer Bill Withers, released in 1972 by Sussex Records. The album was recorded and produced by Withers with musicians from the Watts 103rd Street Rhythm Band .
Several of those members, including drummer James Gadson, bassist Melvin Dunlap, trombonist/arranger Ray Jackson, and both guitarists Al McKay and Benorce Blackmon, played on several Dyke and the Blazers charting singles, including "We Got More Soul" (1969) and "Let a Woman Be a Woman, Let a Man Be a Man" (1969).
Melvin Carl Dunlap (June 9, 1945 - September 12, 2021) was an American bass guitarist most recognized for his work with Bill Withers and Charles Wright & The Watts 103rd Street Rhythm band. Additionally, Dunlap was an accomplished session musician, producer, and composer.
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