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[2] [8] On the neck are two elephant heads forming two handles. Originally, the vases had porcelain rings suspended from the handles. [4] There are a few small differences in decorations between the two vases, for example, the mouth of the dragon is closed in one but open in the other. [2]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The amphora was made on a potter's wheel in three sections that were joined to form a single large vessel, standing at over five feet tall (1.55 m).The artist's construction was intended to fit the specific proportions of having the same height and width, and possessing a neck that's half of the body's length. [5]
Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...
A few surviving vases were labelled with their names in antiquity; these included a hydria depicted on the François Vase and a kylix that declares, “I am the decorated kylix of lovely Phito” (BM, B450). Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions.
With flat handles decorated with depictions of ivy, and a double layered foot, it qualifies as a type A amphora. Dated circa 510 BCE, it was likely created by a member of the circle of Euthymides in Athens. [2] It is an early example of red-figure pottery which had been invented only ten years previously.
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