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This film was shot in Kalasapura village, near Chikmagalur town. Siddalingaiah had a particular attachment with this location. His other landmark movie Bangarada Manushya was also shot (partly) in the same village. The twenty-minute climax was an adaptation of one paragraph from the novel.
As of 2011 Indian Census, Chikmagalur city had a total population of 118,401, of which 58,702 were males and 59,699 were females. Population within the age group of 0 to 6 years was 11,633. The total number of literates in Chikmagalur was 96,359, which constituted 81.4% of the population with male literacy of 83.7% and female literacy of 79.1%.
Online Bangalore wrote "This heavily story-laden movie is filled with family sentiments. Sometimes they even look highly dramatic and unrealistic". [10] Go4i wrote "In all, Yajamana is an above average film". [11]
The Dirty Picture is a 2011 Indian Hindi-language biographical musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles.The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti.
Dream Warrior Pictures is an Indian film production company based in Chennai. It was founded in 2010 by brothers S R Prakashbabu and S R Prabhu , who were partners in Studio Green during 2010–2013.
co-production with Admiral Pictures and Robert E. Kent Productions September 1, 1965: The Great Sioux Massacre: September 15, 1965: The Little Ones: September 16, 1965: That Man in Istanbul: German/Italian/Spanish film September 27, 1965: Mickey One: October 3, 1965: Bunny Lake Is Missing: October 7, 1965: Mr. Doctor: Co-production with Posa ...
It is an unspeakably funny film, but in the saddest possible way. It is a film promoted as a horror film, and it is for anyone with any faith left in Australian mainstream film... For a film as awful, as cliche ridden, as derivative as unimaginative and as poorly made as Bloodmoon to be made in Australia in 1990 is a cause of national mourning. [3]
Ken Tucker of Entertainment Weekly called the film "titillatingly titled but artistically timid" and added, "Chaiken and Pierson drain Dirty Pictures of engaging drama by denying the opposition any believability; they present Barrie's persecutors as hostile idiots and hopeless prudes . . . The director further hobbles the movie's pace by ...