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American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
American Gangster: Ridley Scott 2007 United States [1] American Psycho: Mary Harron: 2000 United States [112] The Assassination of Richard Nixon: Niels Mueller: 2004 United States [13] El Aura: Fabián Bielinsky: 2005 Argentina [69] Bad Education: Pedro Almodóvar 2004 Spain [116] Bad Lieutenant: Port of Call New Orleans: Werner Herzog: 2009 ...
Cotton Comes to Harlem is a 1970 American neo-noir [2] action comedy film [3] co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx. [4] The film, later cited as an early example of the blaxploitation genre, is based on Chester Himes ' novel of the same name . [ 5 ]
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Black Gunn is a 1972 American neo-noir crime thriller film, directed by Robert Hartford-Davis and starring Jim Brown, Martin Landau, Brenda Sykes, Herbert Jefferson Jr. and Luciana Paluzzi. Baseball pitcher Vida Blue appears in a supporting role, as does former football player-turned-actor Bernie Casey .
The Laughing Policeman (released in the UK as An Investigation of Murder) is a 1973 American neo-noir thriller film loosely based on the 1968 novel of the same name by Maj Sjöwall and Per Wahlöö. The setting of the story is transplanted from Stockholm to San Francisco .
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