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It is the job of classical Hollywood cinema to get the audience lost and absorbed into the story of the film, so that the film is pleasurable. In contrast the task of European art cinema is to be ambiguous, utilizing an open-ended (and sometimes intertextual ) plot, causing the audience to ask questions themselves whilst introducing an element ...
With this approach, a broad range of films, such as a 1960s Hitchcock film, a 1970s experimental underground film, a European auteur film, a U.S. "independent" film, and even a mainstream foreign-language film (with subtitles) might all fall under the rubric of "art house films".
The film directors in this list have made films that were deemed to be notable art films by ... The Emerging Identity as Expressed Through Russian Art House Cinema ...
The European Arthouse Cinema Day, an initiative aimed at promoting European films and moviegoing, will be hosting its sixth edition with ambassadors including Oscar-nominated Hungarian director ...
A high-powered panel at the Busan International Film Festival’s Asian Contents and Film Market pondered the condition of the theatrical market for arthouse films in Asia and Europe post-pandemic.
Even if you immediately dismiss the label of "arthouse" as something reserved for snobby cinephiles, I promise that you already love a handful of the movies under that categorization.
The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm.
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts.
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