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Fass, Paula S. (2007) The Damned and the Beautiful: American Youth in the 1920s. 2007. ISBN 978-0-19-502492-0; Gourley, Kathleen (2007) Flappers and the New American Woman: Perceptions of Women from 1918 Through the 1920s (Images and or of Women in the Twentieth Century). ISBN 978-0-8225-6060-9
For working class women in the 1920s, tailored suits with a straight, curve less cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits. [25] Rayon, an artificial silk fabric, was most common for working-class women clothing. [26]
The fashion for women was all about getting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a sash or belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tired.
Seller of hard liquor; Cheap speakeasy [20] gink Man or fellow [192] give the air Break a date [150] give the knee Dance cheek-to-cheek and Toe-to-Toe [150] glad rags Clothing to 'go out on the town; Attire to wear to parties or special occasions [193] glom The act of stealing; also glaum [194] glorious regalia Chic clothing of a flapper [150 ...
Cigarette girls in Florida in 1956 Cigarette girl at the Bellmansro restaurant in Sweden, 1940. In Europe and the United States, a cigarette girl was an attractive young woman who sold or provided cigarettes from a tray held by a neck strap, a common casual occupation until supplanted by vending machines in the 1950s, especially at nightclubs, but also at restaurants, bars, casinos, and other ...
The zoot suit originated in African American comedy shows within the Chitlin' Circuit in the 1920s. Comedians such as Pigmeat Markham, Stepin Fetchit, and many others would dress in rags or in baggy suits for their comedic routines. This style of oversized suits would later become more stylish and popular in the inner city ghettos.
Chiffon evening dress, 1921. The 1920s were marked by a post-war aesthetic. After World War I, the fashion world experienced a great switch: from tight corsets and hobble skirts—to shapeless, oversized, and sparsely decorated garments. [1] Women began to wear more comfortable fashions, including blousy skirts and trousers.
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
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