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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Saqi Namah (Urdu: ساقی نامہ) often transliterated in English as Saqi Nama, is an Urdu nazm written by Muhammad Iqbal in 1935. This is one of the Iqbal's most famous lengthy poems apart from Tulu'i Islam, Shikwah and Jawab-e-Shikwah. This poem was published in his book, Baal-e-Jibreel, often translated in English as Gabriel's Wing.
Mirzā Mazhar Jān-i Jānān (Urdu: مرزا مظہر جانِ جاناں), also known by his laqab Shamsuddīn Habībullāh (13 March 1699 – 6 January 1781), was a renowned Hanafi Maturidi Naqshbandī Sufi poet of Delhi, distinguished as one of the "four pillars of Urdu poetry."
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
Ashob remained an historical genre in Persian, Urdu and Turkish literature used by the writers, predominantly by the Mughal poets to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs are generally describing emotional thoughts of a writer in a narrative poem based on several competencies. [6]
Bal-i-Jibril is regarded as the peak of Iqbal's Urdu poetry. It consists of ghazals , poems, quatrains , epigrams and advises the nurturing of the vision and intellect necessary to foster sincerity and firm belief in the heart of the ummah and turn its members into true believers.
He grew in Azimabad where the atmosphere was poetic and literary and it was from there he picked up the love for Urdu poetry. He chose the word Bismil (meaning hurt or wounded) as his pen name and became disciple of Khan Bahadur Shad Azimabadi, (1846-1929). [4] [7] He used to frequent Qutub-khana Anjuman Taraqqi Urdu Library, Patna. [8]