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Guṇa is both a root and a word in Sanskrit. Its different context-driven meanings are derived from either the root or the word. In verse VI.36 of Nirukta by Yāska, a 1st millennium BC text on Sanskrit grammar and language that preceded Panini, Guṇa is declared to be derived from another root Gaṇa, [16] which means "to count, enumerate". [17]
Contrary to the popular depiction of Rama with blue skin similar to Vishnu, Krritivasa described Rama's complexion to be 'as green as fresh grass'. Like its model, Valmiki's Ramayana , the work is divided into seven books, in this case Adikando , Ajodhyakando , Aranya Kando , Kishkindha Kando , Sundor Kando , Lankhakando , and Uttorkando . [ 8 ]
On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk are happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded to the ...
In this play Rama's sons Lava and Kusha fight with army of Rama who protect horse of Ashwamedha. only Three mss of this play survived. It is very rare play because only four play are based on uttara-ramayana. Chalita-Rama based on Rama's later life written in 9th century. In this play surpanakha planned plot and sita exiled But today we not ...
Samkhya is an important pillar of Indian philosophical tradition, called shad-darshana, however, of the standard works of Samkhya only three are available at present.These are: Samkhya Sutras attributed to the founder of Samkhya, Kapila; Tattva Samasa, which some authors (Max Muller) consider prior to Samkhya Sutras, [8] and Samkhya Karika authored by Ishvara Krishna.
[6] [13] Hanuman states god Rama is the supreme reality, the Brahman and the Atman (soul), and he is the medium to attain moksha or emancipation. [3] The text presents goddess Sita, the wife of Rama, as the cause of creation, and Hanuman as the completely absorbed example and ideal devotee of Rama. [14]
' Rama's worship of Shakti ') is a poem in Hindi by Suryakant Tripathi 'Nirala'. It was published in 1937 in the second edition of Nirala's poetry collection Anamika . This long poem consists of 312 lines composed in Nirala's tailored poetic meter , Shakti Puja - a rhyming meter of twenty-four syllables.
With love she narrated the entire story. After telling the entire story, seeing Rama’s face, she kept the lotus feet of Rama in her heart. Burning her body by the fire of Yoga, she became rapt in Rama's feet, a place of no return. O human! Various Karma, misdeeds and beliefs, are sorrowful, reject all. Having faith, says Tulsidas, adore Rama's