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Hohner's main Chord is known as the Hohner 48, because it plays 48 chords. Hohner from the 1930s to the late 1960s also produced the Polyphonia No. 8, which played 36 blow-only chords, in three rows. The concept failed and is often frowned upon by professional 48 chord players.
Because the bellows are absent in both the claviola and the melodica, they are sometimes called, circumcised accordions. In combination with the pipes, the claviola uses reeds blown from the "wrong" side compared to reeds in most Western free-reed instruments, resulting in a much mellower, less reedy tone, and pitch dependent on the pipe length.
One can find only a few cassotto registers in German accordions, but they can be found in the Hohner Morino and Gola models, and the Harmona (Klingenthal) Cassotta, Supra & Supita models. There is a special construction in the Weltmeister Cassotta (374 + 414), also known as "Klingenthaler Spezialcassotto" or "Füllungscassotto".
As early as 1968, Hohner sold a "Professional" model of its Melodica with a built-in pickup. [10] Melodicas range in price from under US$20 for a simple, plastic instrument to several thousand dollars for a rare, custom-made or antique model.
After size, the price and weight of an accordion is largely dependent on the number of reed ranks on either side, either on a cassotto or not, and to a lesser degree on the number of combinations available through register switches. The next, but important, factor is the quality of the reeds, the highest grade called "a mano" (meaning "hand ...
How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...
In 1988 while performing The Berlin Jazz Festival '88, Hohner invited Steve to the Hohner factory in Trossingen, Germany. The Hohner company and Steve collaborated in making a new accordion with Steve's specifications that included his own tuning, octaves, and tuning arrangement changes to the accidentals.
Thus this Hohner company decided to enlarge the market for accordions [notes 1] by turning the instrument from its traditional music roots into an established instrument for orchestras. [12] An orchestra was put together, touring Germany to introduce the new concept. The company also supplied sheet music for this new type of accordion. [12]
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