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Loretta Young (born Gretchen Michaela Young; January 6, 1913 – August 12, 2000) was an American actress. Starting as a child, she had a long and varied career in film from 1917 to 1989. Starting as a child, she had a long and varied career in film from 1917 to 1989.
Employees' Entrance is a 1933 pre-Code film about the devious manager of a New York department store (Warren William) and his romantic involvement with a reluctant new employee (Loretta Young). It was directed by Roy Del Ruth . [ 2 ]
Second Honeymoon is a 1937 American screwball romantic comedy film directed by Walter Lang and starring Tyrone Power, Loretta Young and Stuart Erwin. Based on a story by Philip Wylie it was distributed by Twentieth Century-Fox. A comedy of remarriage, it was overshadowed by the similar The Awful Truth released the same year. [1]
Loretta Young stars as a secretary who receives unwanted sexual advances when she is sent out on dates with her employer's clients. The film was promoted with the teaser "We apologize to the men for the many frank revelations made by this picture, but we just had to show it as it was filmed.
Big Business Girl is a 1931 American pre-Code First National sound comedy film directed by William A. Seiter and starring Loretta Young, then eighteen years old. It was released theatrically through First National's parent company Warner Bros. [ 1 ]
Freepik is a technology company specializing in AI tools for creating and editing audiovisual content. [1] The company provides AI-powered design tools, AI-generated images, and a growing collection of stock photos, illustrations, and vector graphics, operating under a freemium business model. [2]
Cause for Alarm! is a 1951 melodrama suspense film directed by Tay Garnett, written by Mel Dinelli and Tom Lewis, based on a story by Larry Marcus. Ellen (Loretta Young) narrates the tale of "the most terrifying day of my life", how she was taking care of her bedridden husband George Z. Jones (Barry Sullivan) when he suddenly dropped dead.
It starred Loretta Young and Don Ameche. The New York Times praised its use of new Technicolor technology but found the plot "a piece of unadulterated hokum." It thought "Ramona is a pretty impossible rôle these heartless days" and Don Ameche "a bit too Oxonian" for a chief's son. [4] The film's copyright was renewed on June 16, 1964. [5]