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Choso gives his life to protect Yuji, after which Todo and Yuta in Gojo's body join him to help. After Okkotsu uses Hollow Purple to disable Sukuna's domain, Yuji weakens Sukuna, after which Todo switches in Angel for a final Jacob's Ladder. Todo takes the Black Flash meant for them, after which Yuji traps Sukuna in his Domain Expansion.
Satoru Gojo (Japanese: 五条 悟, Hepburn: Gojō Satoru) is a character from Gege Akutami's manga Jujutsu Kaisen. He was first introduced in Akutami's short series Tokyo Metropolitan Curse Technical School as the mentor of the cursed teenager Yuta Okkotsu at Tokyo Prefectural Jujutsu High School.
Namu Myōhō Renge Kyō [a] (南無妙法蓮華経) are Japanese words chanted within all forms of Nichiren Buddhism. In English, they mean "Devotion to the Mystic Law of the Lotus Sutra" or "Glory to the Dharma of the Lotus Sutra". [2] [3] The words 'Myōhō Renge Kyō' refer to the Japanese title of the Lotus Sūtra.
Gojo, also for the first time, hits Toji with a special combination of his Limitless ability, Hollow Purple. The left side of Toji's body is blown apart. As he succumbs to his wounds, he reveals that his son, Megumi, will be sold to the Zen'in clan in a few years, and for Gojo to do with that what he will.
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
In the Japanese language, the gojūon (五十音, Japanese pronunciation: [ɡo(d)ʑɯꜜːoɴ], lit. "fifty sounds") is a traditional system ordering kana characters by their component phonemes, roughly analogous to alphabetical order. The "fifty" (gojū) in its name refers to the
Kakegoe are used in traditional music ensembles, such as Hayashi, Nagauta, Taiko, and Tsugaru-jamisen.They are used to cue different parts of a musical piece. They can signal anywhere from the beginning or end of a particular rhythm, the beginning or end of an improvisation section for an instrument virtuoso, to cuing different instrument entrances.
Shōmyō (声明) is a style of Japanese Buddhist chant, used mainly in the Tendai and Shingon sects. [1] There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Shōmyō, like gagaku, employs the Yo scale, a pentatonic scale with ascending intervals of two, three, two, two, and three semitones. [2]