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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Uki-e (浮絵, "floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid ...
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Among his students were the famous ukiyo-e artists Shunchō, Shun'ei, and Hokusai. Most of Shunshō's actor prints are in the hoso-e (33 × 15 centimetres (13.0 × 5.9 in)) format common at the time, but he created a great number of works in triptych or pentaptych sets. However, what truly set his work apart from that of earlier artists was the ...
Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. [5] Ukiyo-e, as practised by artists like Shunshō, focused on images of the courtesans and kabuki actors who were popular in Japan's cities at the time. [7]
Nikuhitsu-ga (肉筆画); a painting in the ukiyo-e style; Nishiki-e (錦絵); multi-coloured woodblock printing; Ōban (大判); a print size about 15.5 by 10.5 inches (39 cm × 27 cm) Ōkubi-e (大首絵); portrait prints, busts; Omocha-e (玩具絵); ukiyo-e created as picture books and toys for children; Schools (流派): Schools of ukiyo-e ...
Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.