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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
As art historian J. Hillier notes, "Kunisada's career tells the tragedy of the downfall of ukiyo-e. With evident talent and tremendous verve, his early prints have qualities that link him with the great days of the school, but the great mass of his prints are hastily designed, over-coloured and badly printed."
Ukiyo-e art flourished in Japan during the Edo period from the seventeenth to nineteenth centuries. The art form took as its primary subjects courtesans, kabuki actors, and others associated with the ukiyo "floating world" lifestyle of the pleasure districts.
Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi.
Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, geisha and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]
Hishikawa Moronobu (Japanese: 菱川 師宣; 1618 – 25 July 1694) [1] was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. [2] He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. [3]
Even as other schools and styles emerged over the course of the 18th century, the Torii style remained at the core of ukiyo-e. It was something every artist had to either embrace and elaborate on, or to reject entirely. The Torii style, even in paintings and prints, continued to be derived directly from the clan's work for the kabuki theaters.
Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国, Sandai Utagawa Toyokuni), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.
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