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The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger ...
Composer Johannes Brahms claimed the AAB form of the chorale "Jesu, meine Freude" generates larger formal structures in Bach's motet of the same name. Subsequent popularity and study of the use of AAB stanzas in Bach's and Wagner's works has led to wide adoption of the term Bar form for any song or larger musical form that can be rationalized ...
The abbreviation is not always a short form of the word used in the clue. For example: "Knight" for N (the symbol used in chess notation) Taking this one stage further, the clue word can hint at the word or words to be abbreviated rather than giving the word itself. For example: "About" for C or CA (for "circa"), or RE.
The English phrase—"multipartite form"—is most often used by American musicologist Philip Gossett, beginning with a 1974 essay, [2] where referring to a general framework of melodramatic scene types, especially duets. Each scene gradually progresses from an opening static lyric moment to a finale through several standard musical tempos and ...
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Romanesca. [1] Play ⓘ. Passamezzo and Romanesca melodic formula [2] on D Play ⓘ.. Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation.
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In music, an invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. (Compositions in the same style as an invention but using three-part counterpoint are known as sinfonias. Some modern publishers call them "three-part inventions" to avoid confusion with symphonies.)