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Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Darktable (stylized as darktable) is a free and open-source photography application and raw developer. Rather than being a raster graphics editor like Adobe Photoshop or GIMP, it comprises a subset of image editing operations specifically aimed at non-destructive raw image post-production.
Many of his famous prints were manipulated in the darkroom with these two techniques. Adams wrote a comprehensive book on producing prints called The Print, which features dodging and burning prominently, in the context of his Zone System. [4] They can also be used in less subtle ways, as in the stenciled lettering shown at the top of this article.
Unsharp masking (USM) is an image sharpening technique, first implemented in darkroom photography, but now commonly used in digital image processing software. Its name derives from the fact that the technique uses a blurred, or "unsharp", negative image to create a mask of the original image. The unsharp mask is then combined with the original ...
For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs. Other techniques include retouching using ink or paint, airbrushing, double exposure, piecing photos or negatives together in the darkroom, and scratching instant films. Software for digital image manipulation ranges from casual to professional skillsets.
Another use for a darkroom is to load film in and out of cameras, development spools, or film holders, which requires complete darkness. Lacking a darkroom, a photographer can make use of a changing bag , which is a small bag with sleeved arm holes specially designed to be completely light proof and used to prepare film prior to exposure or ...
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: make all lines that are vertical in reality vertical in the image. This includes columns, vertical edges of walls and lampposts. This is a commonly accepted distortion in ...
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing. It should not be confused with Category:Photographic processes, which comprises articles relating to the production of images using light-sensitive materials. [1]