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A monstrance, also known as an ostensorium (or an ostensory), [1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament.
The object is composed of three parts: the metalwork structure (called a monstrance), the rock crystal vessel holding the tooth, and the tooth itself (attributed to Saint John the Baptist). The Reliquary's three parts - metal, crystal, and tooth - were assembled at some point before 1482, as this is the year the complete Reliquary was first ...
Archbishop of Braga Jorge Ortiga wearing a humeral veil for holding a monstrance during a procession.. The humeral veil is one of the liturgical vestments of the Roman Rite, also used in some Anglican and Lutheran churches.
Reliquary Cross, French, c. 1180 Domnach Airgid, Irish, 8th–9th century, added to 14th century, 15th century, and after. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new ...
The monstrance clock, or mirror clock, is a type of clock that was developed during the Renaissance (1300 AD – 1600 AD). It is cross-shaped and typically either gold or silver in colour but can feature both colours.
The monstrance was completed at a cost of $30,000 (equivalent to $650,000 in 2023) and made of gold with burgundy velour draping. [ 2 ] Many of the congress's addresses were broadcast nationwide over both the NBC Radio Red Network and Blue Network .
Move over, Wordle, Connections and Mini Crossword—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity ...
Master José Velázquez de Medrano's significant works primarily include a series of stationary monstrances and Eucharistic pavilions. These pieces, created between 1594 and 1608, reflect the heightened importance of Eucharistic worship in the Spanish Church post-Trent Council. His craftsmanship is particularly noted in several major works.
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