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Since the 1950s, sacred and liturgical music has been performed and recorded by many prominent jazz composers and musicians. [186] The "Abyssinian Mass" by Wynton Marsalis (Blueengine Records, 2016) is a recent example. Relatively little has been written about sacred and liturgical jazz.
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
Early Jazz: Its Roots and Musical Development, by Gunther Schuller, is a seminal study of jazz from its origins through the early 1930s, first published in 1968. [1] It has since been translated into five languages (Italian, French, Japanese, Portuguese and Spanish). [2]
"Take Five" is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet. [1] [2] Frequently covered by a variety of artists, the track is the biggest-selling jazz song of all time and a Grammy Hall of Fame inductee.
The song has been called "the jazzman's Hamlet". [3] Composer William Grant Still arranged a version of the song in 1916 while working with Handy. [4] The 1925 version sung by Bessie Smith, with Louis Armstrong on cornet, was inducted into the Grammy Hall of Fame in 1993.
Jazz spans a period of over a hundred years, encompassing a very wide range of music, making it difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swing note, [2] as well as aspects of European harmony, American popular music, [3] the brass band tradition, and African musical elements such as blue notes ...