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Jerome David Salinger (/ ˈ s æ l ɪ n dʒ ər / SAL-in-jər; January 1, 1919 – January 27, 2010) was an American author best known for his 1951 novel The Catcher in the Rye. ...
In spring 1972, Maynard and Salinger exchanged letters during her freshman year at Yale. By July, Maynard had given up her summer job writing for The New York Times to move in with Salinger in Cornish, New Hampshire. [8] [2] Salinger and his wife had divorced in 1967. By September 1972, Maynard had given up her scholarship to Yale and dropped out.
Salinger agreed, on condition that he himself cast the role of Esmé. He had in mind for the role Jan de Vries, the young daughter of his friend, the writer Peter de Vries. However, by the time that Salinger and Tewksbury had settled on the final version of the script, Jan had turned eighteen and was considered by Salinger to be too old for the ...
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The Catcher in the Rye is a novel by American author J. D. Salinger that was partially published in serial form in 1945–46 before being novelized in 1951. Originally intended for adults, it is often read by adolescents for its themes of angst and alienation, and as a critique of superficiality in society.
“Go See Eddie” is one of a number of Salinger’s uncollected stories that deals with “characters who become involved in degrading, often phony social contexts.” [8] An examination of “social manners [and] the corruption of innocence” [9] [10] the story, “though slight in range, foreshadows Salinger’s more searching explorations of innocence either threatened or lost ...
Raise High the Roof Beam, Carpenters and Seymour: An Introduction is a single volume featuring two novellas by J. D. Salinger, which were previously published in The New Yorker: Raise High the Roof Beam, Carpenters (1955) and Seymour: An Introduction (1959). Little, Brown republished them in this anthology in 1963. It was the first time the ...
Franny and Zooey is a book by American author J. D. Salinger which comprises his short story "Franny" and novella Zooey / ˈ z oʊ. iː /. [1] The two works were published together as a book in 1961, having originally appeared in The New Yorker in 1955 and 1957 respectively.
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