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Fra Angelico, O.P. (born Guido di Pietro; c. 1395 [1] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [2]
Fra Angelico and Fra Filippo Lippi, Adoration of the Magi, c. 1440/1460. The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in
Vasari attributed the whole work to Fra Angelico, but argued it was produced in his youth, a conclusion also followed by all 19th-century art historians. Modern art historians place it instead at the end of the artist's life, proposing collaborators for the non-autograph panels such as Domenico di Michelino ( Berenson ), the Master of Cell 2 ...
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
The Ashmolean Museum, which is part of the University of Oxford, paid £4.48m for the 1420s crucifixion painting by artist Fra Angelico. The work had been in a private British collection for more ...
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