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This category contains articles about novels which use a second-person narrative structure; a mode of storytelling in which the audience is made a character. This is done with the use of second person pronouns like you .
The story is about the main character, who is referred to as "you" (in the second person), and the being, who is "me" (in the first person).You, a 48-year-old man who dies in a car crash, meet the being, the narrator, who says that you have been reincarnated many times before, and that you are next to be reincarnated as a Chinese peasant girl in 540 AD.
Myth – an ancient story often meant to explain the mysteries of life or nature. News – information on current events which is presented by print, broadcast, Internet, or word of mouth to a third party or mass audience. Nonlinear narrative – a story whose plot does not conform to conventional chronology, causality, and/or perspective.
Second person can refer to the following: A grammatical person (you, your and yours in the English language) Second-person narrative, a perspective in storytelling; Second Person (band), a trip-hop band from London; God the Son, the Second Person of the Christian Trinity
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Originally created for 7- to 14-year-olds, the books are written in the second person. The protagonist—that is, the reader—takes on a role relevant to the adventure, such as a private investigator, mountain climber, race car driver, doctor, or spy. Certain books in the series allow readers choice of whom to take the role of, for example, in ...
Dederich held that addicts lacked maturity or the ability to handle freedom responsibly. They must be broken down to be built back up. “Comfort is not for adults,” Dederich argued in a taped speech during the commune’s early days. “Comfort destroys adults.” John Peterson was one of the first to move into Synanon, as the commune was ...
The second is told in third person, written in a deliberately archaic style. The third is the most metafictional of the three, with a narrator commenting on the story's form and literary devices as it progresses. “Echo” retells the story of the prophet Tiresias, Narcissus, and Echo. Told out of sequence, the speaker could at any point be ...