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"The Last to Know" is a song by English band Johnny Hates Jazz, released by Virgin in 1991 as the second and final single from their second studio album, Tall Stories. The song was written by Phil Thornalley and was produced by Calvin Hayes and Mike Nocito.
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
Pianist Keith Jarrett—whose bands of the 1970s had played only original compositions with prominent free jazz elements—established his so-called 'Standards Trio' in 1983, which, although also occasionally exploring collective improvisation, has primarily performed and recorded jazz standards. Chick Corea similarly began exploring jazz ...
A two bar sequence at the end of a blues progression, rhythm changes progression, or other forms, notably 32-bar AABA jazz song forms, which signals to the listeners and performers that the song ending or subsection ending has been reached, and as such, the song will repeat again from the beginning.
A best-selling single by Frank Sinatra on Columbia Records (with the Axel Stordahl Orchestra and the Ken Lane singers; originally catalog number 36797, with the flip side "There's No You"; [3] reissued as catalog number 40522, with flip side "American Beauty Rose" [4]) which spent 7 weeks on the charts, peaking at #5 in 1945,
The song was introduced in vaudeville by Henry E. Murtagh, and popularized by Paul Whiteman's 1929 Columbia recording featuring Bix Beiderbecke.It has become a jazz standard and has been recorded by artists including Louis Armstrong, Mildred Bailey, Sidney Bechet, Gene Kardos, Benny Goodman, Lionel Hampton, Isham Jones, Red Nichols, Charlie Parker, Oscar Peterson, Django Reinhardt and Fats Waller.
The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]