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Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
The name Ganesha is a Sanskrit compound, joining the words gana (gaṇa), meaning a 'group, multitude, or categorical system' and isha (īśa), meaning 'lord or master'. [18] The word gaṇa when associated with Ganesha is often taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva, Ganesha's father ...
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.
Ghurye notes that the text identifies Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
Rao classifies Uchchhishta Ganapati as one of the five Shakti-Ganesha icons, where Ganesha is depicted with a shakti, that is, a female consort. [4] The large figure of Ganesha is accompanied with smaller figure of the consort. [1] The nude devi (goddess) sits on his left lap. She has two arms and wears various ornaments.
Some authors have attributed the statue to the transitional period between Kushan art to Gupta art, to the 5th or even 4th century CE. [1] The statue of Ganesha from Gardez is now attributed to the period of Turk Shahis in the 7-8th century CE, rather than to their successors the Hindu Shahis (9th-10th century) as formerly suggested. [2]
Ballal semiconscious and tied to the tree in the forest was lying as that with severe pain all over, started calling his beloved God, Ganesha. "O Lord, Ganesha, I was busy in praying you, I was right and humble but my cruel father has spoiled my act of devotion and hence I am unable to perform Pooja." Ganesha was pleased and responded quickly.
Chitralaksana of Nagnajit (a classic on classical painting, 5th-century CE or earlier making it the oldest known text on Indian painting; but the Sanskrit version has been lost, only version available is in Tibet and it states that it is a translation of a Sanskrit text) [18]