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The Soteno family of Metepec is one of the main families of ceramic artisans specializing in sculptures called Trees of Life which have made the town found in the State of Mexico one of Mexico’s main ceramic centers. The Tree of Life is a complicated colorful sculpture which was developed from the creation of candlesticks.
These are produced for the Mexican upper class, the international market, and to some extent, tourists. Folk art production is encouraged by government at all levels, with a large number of artisans now signing at least their best pieces. While this segment of the market keeps ties with the past, it is also sensitive to fashion trends as well.
During the Mexican War of Independence, the potters' guild and the ordinances of the 17th century were abolished. This allowed anyone to make the ceramic in any way, leading to a decline in quality. [3] The war disrupted trade among the Spanish colonies and cheaper English porcelain was being imported. [18] The Talavera market crashed.
Large outdoor sculpture in Metepec with Adam and Eve. The most traditional of the trees of life contains a number of vital images. At the top of the sculpture, an image of God is placed. Underneath are images relation with the creation of the world in seven days, such as the sun and moon, the animals and Adam and Eve.
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Here and in neighboring Tlaquepaque, he introduced modern ceramic techniques, especially high-fire stoneware. He expanded the area's production from pots and jars to complete dish sets, large vases, mosaics and tiles and more. For his work, Wilmot was awarded Mexico National Prize in Arts and Sciences in 1997. [2] [3]
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