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Resurrection of Christ is a painting by the Italian Renaissance artist Giovanni Bellini. The painting is estimated to be created sometime between 1475 and 1479. The painting was created on poplar wood, then transferred to canvas. [1] The Resurrection of Christ's dimensions are in total 148 x 128 cm (which is 58 in x 50 in). [1]
Giovanni Battista Moroni (c. 1520-1524 [1] – 5 February 1578) was an Italian painter of the Mannerism. He also is called Giambattista Moroni . Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of the Cinquecento .
Pages in category "Paintings by Giovanni Battista Moroni" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. K.
The Portrait of a Man Holding a Letter, also known as The Lawyer, is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1570-1572. It is held at the National Gallery, in London. It is considered one of the most representative paintings of the artist's maturity. [1] [2] [3]
Sant'Anna, Virgin and Christ-child: Attributed to Abraham Teniers: Tavern with drinker: David Teniers the Elder: Drinker and two peasants: Attributed to David Teniers the Younger: Pastoral festivity: Studio of Giovanni Battista Tiepolo: Baptism of Christ: Studio of Giovanni Battista Tiepolo: John the Baptist preaching: Giovanni Battista Tiepolo ...
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a 1567-1570 oil on panel painting by Giovanni Battista Moroni, produced for the side-altar of Catherine of Alexandria in the church of San Bartolomeo, parish church of Almenno San Bartolomeo, where it still hangs.
The portrait depicts Jesus Christ, raising his right hand while gripping a red staff with the other. Christ's wounds are slightly visible on his hand as well as his chest. The shadows indicate the reality of his Resurrection. Meanwhile, the landscape in the background contains many motifs signifying the Resurrection.
The Christ-child has his right hand raised to bless the worshipper/viewer before the altar. Both the Virgin Mary and Christ-child look downward, to acknowledge any viewers kneeling in prayer before the altar. [11] Additionally, Mary is dressed in a rich blue robe, which was made using ultramarine, a luxury pigment during this time period. [14]