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Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and volume ...
In 1761, Ebenezer Kinnersley demonstrated heating a wire to incandescence. [8] However such wires tended to melt or oxidize very rapidly (burn) in the presence of air. [9] Limelight became a popular form of stage lighting in the early 19th century, by heating a piece of calcium oxide to incandescence with an oxyhydrogen torch. [10]
The limelight effect was discovered in the 1820s by Goldsworthy Gurney, [3] [4] based on his work with the "oxy-hydrogen blowpipe", credit for which is normally given to Robert Hare. In 1825, a Scottish engineer, Thomas Drummond (1797–1840), saw a demonstration of the effect by Michael Faraday [ 5 ] and realized that the light would be useful ...
Candoluminescence is the light given off by certain materials at elevated temperatures (usually when exposed to a flame) that has an intensity at some wavelengths which can, through chemical action in flames, be higher than the blackbody emission expected from incandescence at the same temperature. [1]
Nernst lamps did not use a glowing tungsten filament. Instead, they used a ceramic rod that was heated to incandescence.Because the rod (unlike tungsten wire) would not further oxidize when exposed to air, there was no need to enclose it within a vacuum or noble gas environment; the burners in Nernst lamps could operate exposed to the air and were only enclosed in glass to isolate the hot ...
Light art or the art of light is generally referring to a visual art form in which (physical) light is the main, if not sole medium of creation. Uses of the term differ drastically in incongruence; definitions, if existing, vary in several aspects.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The more closely that an art historian engages with these latter forms of low culture, the more likely it is that they will identify their work as examining visual culture or material culture, or as contributing to fields related to art history, such as anthropology or archaeology.