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Two banjo fittings (upper center of photo) atop automotive brake calipers. The copper crush washer in the gap between the fitting and body of the caliper completes the seal. Compared to pipe fittings that are themselves threaded, banjo fittings have the advantage that they do not have to be rotated relative to the host fitting. This avoids ...
Herbert J. Ellis as a young man, holding a Portuguese guitar.. Herbert J. Ellis (4 July 1865 – 13 October 1903) was a banjo player, a mandolinist, guitar player and a composer.
L-100A Same as L-100 but with additional Percussion voices such as Guitar, Banjo, etc., alternating reiteration on Xylophone and Marimba and rhythm effects (Cymbal and Brush) for the Lower Manual and Pedals. L-200 Included built-in Rhythm II rhythm unit. Porta B series 1971–1974 [30] (1970 [31]) Portable version of L-100 series for ...
Hohner Musikinstrumente GmbH & Co. KG is a German manufacturer of musical instruments, founded in 1857 by Matthias Hohner (1833–1902).It is a subsidiary of Matth. Hohner AG.
In their 1930 catalog, National list eight key associates, including Adolph Rickenbacker, George Beauchamp, Harry Watson, Paul Barth, and Jack Levy. [4] In 1932, the Dopyera brothers secured a controlling interest in both National and Dobro, and merged the companies to form the "National Dobro Corporation".
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
In the late 1950s, various guitars in the Kay line were assigned new model numbers; according to the 1959 catalog, the Thin Twin became K5910 and the Electronic Bass became K5965. [27] Both instruments remained in Kay's catalog offerings with only minor cosmetic variations until 1966, when Kay revamped its entire guitar line to only feature ...
Vega initially labeled these instruments A. C. Fairbanks, then switched to Fairbanks banjo by the Vega Co., then eventually to just Vega. David L. Day, who had been the chief acoustical designer at Fairbanks, became general manager of the Vega stringed instrument division and continued to develop innovative and successful banjo designs.
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