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1898 S.S. Stewart catalog. The banjeaurine, also spelled banjourine or banjorine, was a miniature variant of the banjo, designed to play lead instrument in banjo orchestras from the 1890s to the 1930s. [1] The banjeaurine was invented by Samuel Swaim Stewart, owner of the S.S. Stewart Banjo Company in Philadelphia.
Herbert J. Ellis as a young man, holding a Portuguese guitar.. Herbert J. Ellis (4 July 1865 – 13 October 1903) was a banjo player, a mandolinist, guitar player and a composer.
Alfred Adolphus Farland Sr. (April 10, 1864 – May 5, 1954) was a Canadian-American banjoist, playing in the classic banjo style for more than 40 years. [1] [4] [5] He played the banjo wearing a tuxedo, bringing an air of sophistication to the instrument, when the 19th-century image for a banjo player tended toward the comic, the racist and the crude. [6]
Download as PDF; Printable version; In other projects ... This sub-category is for instruments directly related to or descended from the 19th Century American banjo ...
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
In their 1930 catalog, National list eight key associates, including Adolph Rickenbacker, George Beauchamp, Harry Watson, Paul Barth, and Jack Levy. [ 4 ] In 1932, the Dopyera brothers secured a controlling interest in both National and Dobro, and merged the companies to form the "National Dobro Corporation".
Across his career, Fred J. Bacon played a variety of musical styles on the five-string banjo and snare drum. His performances included his own compositions such as The Fascinator and The Conqueror march, classical compositions such as Minuette a l'Antique by Paderewski, and arrangements of folk music or minstrel songs, including Massa's in the Cold, Cold Ground.
In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog, [citation needed] "tuned like the first four guitar strings but one octave lower." Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.
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