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Staccato ([stakˈkaːto]; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, [ 1 ] [ 2 ] separated from the note that may follow by silence. [ 3 ]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Staccato: detached: A form of musical articulation in which notes are distinct and separated from each other by short gaps Staccatissimo: very detached: Forcefully exaggerated staccato Tutti: all: Played or sung by the entire ensemble, rather than by just a soloist or principal player Vibrato: vibrating
There are many types of articulation, each with a different effect on how the note is played. In music notation articulation marks include the slur, phrase mark, staccato, staccatissimo, accent, sforzando, rinforzando, and legato. A different symbol, placed above or below the note (depending on its position on the staff), represents each ...
staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the [note] head stentando or stentato (sten. or stent.)
Examples of articulation marks. From left to right: staccato, staccatissimo, martellato, accent, tenuto. Articulation is the way the performer sounds notes. For example, staccato is the shortening of duration compared to the written note value, legato performs the notes in a smoothly joined sequence with no separation. Articulation is often ...
He speaks with a parade-ground staccato, occasionally punctuating his thoughts with a concussive “Hell-fire!” The majority of moral injury cases go much deeper, he said. “They’re more about survivor’s guilt, death of children, death of civilians, that are just part and parcel of combat action.
[2] [3] In the second half of the 19th century, German music (starting with Haydn's later works) began replacing the vertical stroke with the regular accent mark when the notes were to be emphasized but not abbreviated, and French music began replacing the vertical stroke with the staccato dot when the notes were to be both emphasized and ...