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This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Pages in category "Contemporary art movements" The following 87 pages are in this category, out of 87 total. This list may not reflect recent changes. A.
An art movement is a tendency or style in the visual arts with a specific common stylistic approach, ... Modern art (69 C, 262 P, 13 F) Postmodern art (16 C, 81 P)
The pioneers of modern art were Romantics, Realists and Impressionists. [14] [failed verification] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: Post-Impressionism and Symbolism.
Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art ).
Note: The countries listed are the country in which the movement or group started. Most modern art movements were international in scope. Impressionism – 1860 – 1890, France American Impressionism – 1880, United States; Cos Cob Art Colony – 1890s, United States Heidelberg School – late 1880s, Australia; Luminism (Impressionism)
Minimalism describes movements in various forms of art and design, especially visual art and music, wherein artists intend to expose the essence or identity of a subject through eliminating all nonessential forms, features, or concepts. Minimalism is any design or style wherein the simplest and fewest elements are used to create the maximum effect.
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
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