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Miletus ware used a red clay body covered with a white slip which was painted with simple designs under a transparent alkaline lead glaze. The designs were usually in dark cobalt blue but also sometimes in turquoise, purple and green. Many dishes have a central rosette surrounded by concentric bands of gadroons. [27] [28]
The famille verte enamels may be painted on the biscuit (unglazed pre-fired ware) with no underglaze blue, or over high-fired glaze, producing wares of different appearances. Wares with enamel painted on the biscuit usually have a solid-colour ground such as yellow, black or green, while those painted over the glaze may have a white ground.
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
The third line of bright solid color ware produced by Homer Laughlin during that era was Riviera dinnerware [1938], which is distinctive for its triple-scalloped corners on a square shape. Riviera was available in red, yellow, light green, mauve blue, ivory [during the war] and occasionally cobalt blue. Production of Riviera ended circa 1948–49.
Shawnee Pottery, an American pottery company that operated from 1937 to 1961, is known for its eye-catching designs. Glazed inside and out, some Shawnee jars — like this Shawnee cottage cookie ...
Examples of oxides that do not lose their colour during a glost firing are the cobalt blue made famous by Chinese Ming dynasty blue and white porcelain and the cobalt and turquoise blues, pale purple, sage green, and bole red characteristic of İznik pottery – only some European centres knew how to achieve a good red. [3]
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