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In a religious context, transfiguration (from the Latin transfiguratio) refers to an experience of temporary divine radiance or light. [1] It is often viewed as a form of apotheosis , in which a human being assumes or reveals a divine or elevated nature.
The Transfiguration of Jesus is an event described in the New Testament where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
In Eastern Orthodox Christian theology, the Tabor Light (Ancient Greek: Φῶς τοῦ Θαβώρ "Light of Tabor", or Ἄκτιστον Φῶς "Uncreated Light", Θεῖον Φῶς "Divine Light"; Russian: Фаворский свет "Taboric Light"; Georgian: თაბორის ნათება) is the light revealed on Mount Tabor at the Transfiguration of Jesus, identified with the ...
Emile Mâle's famous study of 13th-century French cathedral art analyses many cycles, and discusses the lack of emphasis on the "public life [which] is dismissed in four scenes, the Baptism, the Marriage at Cana, the Temptation and the Transfiguration, which moreover it is rare to find all together". [8]
Feast of the Transfiguration, a Christian holiday celebrating the Transfiguration of Jesus Transfiguration (religion) , a momentary transformation of a person into some aspect of the divine Paintings
Writing in the conservative journal First Things, Richard B. Hays (Duke Divinity School) praised Pope Benedict for trying to find a common point between Christology and the historical Jesus, but criticized him for relying too much on 20th century scholars (such as Joachim Jeremias, Rudolf Schnackenburg and C.H. Dodd) and for ignoring studies by more recent scholars such as E. P. Sanders, N. T ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...