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Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F ♯ /G ♭, C ♯ /D ♭, G ♯ /A ♭, D ♯ /E ♭, A ♯ /B ♭, F, and C. This order places the most closely related key signatures adjacent to one another.
C-G-d-a-e'-b' or G'-D-A-e-b-f ♯ ', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used ...
The tuning G-D-A-E is used for the great majority of all violin music. However, any number of other tunings are occasionally employed (for example, tuning the G string up to A), both in classical music, where the technique is known as scordatura, and in some folk styles where it is called "cross-tuning." Numerous such tunings exist, often being ...
C 2 G 2 D 3 A 3. Alternates: "5th Suite" tuning: C 2 G 2 D 3 G 3; Violoncello Europe Many scordatura tunings have been employed by various composers for individual pieces, for example: "Zoltán Kodály" tuning: B 1 F ♯ 2 D 3 A 3 "Whole step down" tuning: B ♭ 1 F 2 C 3 G 3. Celo: 4 strings celovic celloses ginga Croatia Serbia Slovenia This ...
The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger. Drop A 7-string tuning – A'-E-A-d-g-b-e' This is the standard seven-string tuning with the low B string dropped to A. Standard Choro tuning – C-E-A-d ...
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
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Violin with strings crossed for Biber's Resurrection sonata. Heinrich Ignaz Franz Biber's Rosary Sonatas for violin and continuo (c. 1674). Aside from the first ("Annunciation") and last works ("Passacaglia", for solo violin) of this collection, wherein the instrument is set to the common G-D-A-E tuning, the violin for each sonata is tuned to a different array of pitches.