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MapReduce is a programming model and an associated implementation for processing and generating big data sets with a parallel and distributed algorithm on a cluster. [1] [2] [3]A MapReduce program is composed of a map procedure, which performs filtering and sorting (such as sorting students by first name into queues, one queue for each name), and a reduce method, which performs a summary ...
A musicological description of common musical characteristics and instrumentation should be provided. For examples, see Heavy metal music#Characteristics, Punk rock#Characteristics, Funk#Characteristics, Bouncy techno#Characteristics. For more ideas on what to write about, see Wikipedia:WikiProject Music terminology.
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. [1] Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.
The Music Genome Project is a musical analysis project seeking to "capture the essence of music at the most fundamental level" using various attributes to describe songs and mathematics to connect them together into an interactive map. The Music Genome Project covers five music genres: Pop/Rock, Hip-Hop/Electronica, Jazz, World Music, and ...
Moombahton (/ ˈ m uː m b ə t ɒ n /, MOOM-bə-ton) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009.
House-pop (sometimes also called "pop-house") [22] is a crossover of house and dance-pop music that emerged in early '90s. [23] The genre was created to make house music more radio friendly. [24] The characteristic of house-pop is similar to diva house music, like over-the-top vocal acrobatics, bubbly synth riffs, and four-on-the-floor rhythm ...
Definitions of "city pop" have varied and many of the artists tagged with the genre have played in styles that are significantly different from each other. [2] Yutaka Kimura, an author of numerous books about city pop, defined the genre as "urban pop music for those with urban lifestyles." [10] In 2015, Ryotaro Aoki wrote in The Japan Times:
The Wall Street Journal ' s Mark Richardson described the genre as intensifying the "artificial" tropes of popular music, resulting in "a cartoonish wall of noise that embraces catchy tunes and memorable hooks. The music zooms between beauty and ugliness, as shimmery melodies collide with mangled instrumentation."