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Early modernist film came to maturity in the era between WWI and WWII, with characteristics such as montage and symbolic imagery, manifesting itself in genres as diverse as expressionism and surrealism (as featured in the works of Fritz Lang and Luis Buñuel) [1] while postmodernist film – similar to postmodernism as a whole – is a reaction to modernist works, and to their tendencies (such ...
Modernization theory was a dominant paradigm in the social sciences in the 1950s and 1960s, and saw a resurgence after 1991, when Francis Fukuyama wrote about the end of the Cold War as confirmation of modernization theory. [3] The theory is the subject of much debate among scholars.
Marion Joseph Levy Jr. (December 12, 1918 – May 26, 2002) was an American sociologist noted for his work on modernization theory. Born in Galveston, Texas, Levy received his doctorate in sociology from Harvard, studying under Talcott Parsons. Levy was hired at Princeton in 1947. He served as Musgrave Professor of Sociology and International ...
Daniel Lerner (1917–1980) [1] was an American scholar and writer known for his studies on modernization theory.Lerner's study of Balgat Turkey played a critical role in shaping American ideas about the use of mass media and US cultural products to promote economic and social development in post-colonial nations.
Within sociology, Habermas's major contribution was the development of a comprehensive theory of societal evolution and modernization focusing on the difference between communicative rationality and rationalization on one hand and strategic/instrumental rationality and rationalization on the other.
Naming it the Best Film of the 30s Decade, Flickside writes: "Chaplin's Modern Times is a thoughtful critique on the anxieties of modernization dealt with pathos and humour." Contemporary reviews were very positive.
Modernisation refers to a model of a progressive transition from a "pre-modern" or "traditional" to a "modern" society. [1]The theory particularly focuses on the internal factors of a country while assuming that, with assistance, traditional or pre-modern countries can be brought to development in the same manner which more developed countries have.
The film language's modernization (1979), co-written by Zhang Nuanxin and her husband Li Tuo, is considered the manifesto of a new era of Chinese cinema. Chinese film critic Yao Shuguang argues that if there is a golden age from the late 1970s to the mid-1980s, it was not only the golden age of Chinese filmmaking but also the era of the ...