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The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph is the third book by author Ryan Holiday. It was published in 2014. [1] It is a book which offers individuals a framework to flip obstacles into opportunities, an approach crafted by Holiday. It was inspired by the philosophy of stoicism. [2] [3]
Catullus 16 or Carmen 16 is a poem by Gaius Valerius Catullus (c. 84 BC – c. 54 BC).The poem, written in a hendecasyllabic (11-syllable) meter, was considered to be so sexually explicit following its rediscovery in the following centuries that a full English translation was not published until the 20th century. [1]
Authors are still producing original books in Latin today. This page lists contemporary or recent books (from the 21st, 20th and 19th centuries) originally written in Latin . These books are not called "new" because the term Neo-Latin or New Latin refers to books written as early as the 1500s, which is "newer" than Classical Antiquity or the ...
Thus poems 1.1 and 1.10 have a dozen points of contact, in more or less the same order in both poems; and the same is true of poems 1.5 and 1.6. An example of such links is asper and gloria in lines 1 and 2 of poem 1.5, and also in lines 2 and 3 of poem 1.6. [24] In book 2, poems 2.2 and 2.5, despite being of different lengths, are also ...
Prose. Facing Latin text. 1805: Good, John Mason: The Nature of Things: A Didactic Poem: Vol 1 at the Internet Archive, Vol 2 at the Internet Archive. Reprinted in John Selby Watson's translation On the Nature of Things (1851) Wakefield (1796–97) Blank verse. Facing Latin text. 1813: Busby, Thomas: The Nature of Things: A Didascalic Poem ...
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The only source on Juvencus's life is Jerome. [1] He was a Spaniard of very good birth, became a priest, and wrote in the time of Constantine I.From one passage in his work (II, 806, sq.) and from Jerome's Chronicle it must be inferred that he wrote about the year 330.
A poem starting with the words Subscribere proposui ("I have suggested signing (it)") has two verses that closely resemble the later Gaudeamus igitur verses, although neither the first verse nor the actual words Gaudeamus igitur appear. The music accompanying this poem bears no relation to the melody which is now associated with it.