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The Two Penny Blue or The Two Pence Blue was the world's second official postage stamp, [inconsistent] produced in the United Kingdom of Great Britain and Ireland and issued after the Penny Black. Initial printing took place from 1 May 1840, and in all 6,460,000 were printed from two plates until 29 August.
The Penny Blue is frequently mistaken for a postage stamp of Britain. It is from a series of proof impressions which were made at the time Rowland Hill was looking at the new colours which were to be used for the stamps which were to replace the Penny Black and the original 1840 issue of the Two pence Blue .
One Penny Black issued on 1 May for use from 6 May 1840; Penny Black VR official; Penny Blue proof impression, never used; Two penny blue contemporary issue with the Penny Black; One Penny Red issued in 1841 to replace the Penny Black (the first issue with perforations from 1848) Prince Consort Essay; Two penny blue printed in a new ink. The ...
In heraldic engraving, vertical lines represent red, clear areas white and horizontal lines blue, thus the escutcheon is colored red, white and blue and is meant to evoke the American flag. [32] The reverse contains the denomination "2 CENTS" within a somewhat ornate wheat wreath. The rest of the coin is filled with the name of the country. [30]
Specimen stamps have been in use since the earliest issues and in 1840 examples of the Penny Black, Two penny blue and the Mulready Letter Sheet were sent to all British postmasters. [4] These stamps were not marked in any way, but when the first British one shilling stamp was produced in 1847, examples sent to postmasters were marked with the ...
Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings .
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5¢ Blue, Abraham Lincoln, issued January 20, 1903, designed by Raymond Ostrander Smith After a photograph by Mathew Brady. Engraving by Marcus W. Baldwin (portrait and flanking sculptural female figures), Robert F. Ponickau (frame) and George Rose and Lyman F. Ellis (lettering).