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Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion [4]) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock began to be used by jazz musicians ...
Pages in category "Fusion music genres" The following 97 pages are in this category, out of 97 total. This list may not reflect recent changes. A.
I Belong to You (Lenny Kravitz song) I Don't Wanna Wait (Hanaumi song) I Just Wanna Be with You; I Think I Love It; I Wanna (Bob Sinclar song) If It's Lovin' that You Want; In Common; It's My Life (Dr. Alban song)
Chick Corea Elektric Band - Inside Out (1990); Jack DeJohnette - DeJohnette, Holland, Hancock, Metheny In Concert (1990 - DVD Only); Frank Zappa - Make A Jazz Noise Here (1991); Chad Wackerman - Forty Reasons (1991)
Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion. In the mid-1970s, jazz funk became popular, characterized by a strong back beat , electrified sounds, [2] and often, the presence of the first electronic analog synthesizers.
Later in 2014, Canadian reggae fusion band, Magic!, scored a worldwide number-one hit with their single "Rude". [35] It was the beginning of a major resurgence of the genre as this was followed later in 2015 by another number-one reggae fusion song when Jamaican artist OMI claimed the top spot with the Felix Jaehn remix to his song "Cheerleader ...
Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962). The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its ...
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. [1] [4] [5] It emerged in the mid-1960s as artists pursued a majestic, orchestral sound [4] and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [3]