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The Key is a 1958 British-American war film set in 1941 during the Battle of the Atlantic. It was based on the 1951 novel Stella by Jan de Hartog (later republished as The Distant Shore and The Key) and was directed by Carol Reed. William Holden, Sophia Loren and Trevor Howard starred in the production.
The Key (Tanizaki novel), by Jun'ichirō Tanizaki, 1956 "The Key" (short story), by Isaac Asimov, 1966; The Key: A Startling Enquiry into the Riddle of Man's Past, a 1969 book by John Philip Cohane; The Key, a magazine published by Kappa Kappa Gamma "The Key", a short story by Satyajit Ray
The Key (Italian: La chiave) is an Italian erotic film directed by Tinto Brass.Set in Venice under the fascist regime in the early months of 1940, it recounts a tale of a voluptuous woman in her forties who is unable to respond to her husband but undergoes a belated sexual awakening with her daughter's fiancé, which enables her to please her husband at last.
The Key is a 1934 American Pre-Code film directed by Michael Curtiz. It was re-issued as High Peril (pre-release title Sue of Fury) in 1960. [1] The story, concerning a love triangle, is set during the Irish War of Independence.
The Key (Russian: Ключ; tr.:Klyuch) is a 1961 Soviet feature animated film directed by Lev Atamanov.It was produced at the Soyuzmultfilm studio in Moscow.. The critic S. V. Asenin about the animated film: "The director L. Atamanov and the screenwriter M. Volpin used a fantastic form to mention (1961) burning questions of education in the animated film "Key".
The Key is a 2014 American erotic drama film written and directed by Jefery Levy, loosely based on Jun'ichirō Tanizaki's 1956 novel.It stars David Arquette and Bai Ling as a disenchanted married couple whose sexual relationship is told through their personal journals.
The Key (Czech: Klíč) is a 1971 Czechoslovak drama film directed by Vladimír Čech. It was entered into the 7th Moscow International Film Festival where it won a Silver Prize. [ 1 ]
In his book Five Modern Japanese Novelists, author Donald Keene states that The Key gained attraction and was widely discussed for its explicit eroticism. Yet, although formally "brilliantly handled", the novel is missing typical Tanizaki themes like the longing for a mother or worshipping of a cruel woman, concluding that it was, compared to others of the writer's works, "not very deeply rooted".