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First edition (publ. HarperCollins) The Mermaids Singing is a crime novel by Scottish author Val McDermid. [1] The first featuring her recurring protagonist, Dr. Tony Hill, [2] it was adapted into the pilot episode of ITV1's television series based on McDermid's work, Wire in the Blood, starring Robson Green and Hermione Norris.
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems.
John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre , which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging").
Old English literature has had some influence on modern literature, and notable poets have translated and incorporated Old English poetry. Well-known early translations include Alfred, Lord Tennyson 's translation of The Battle of Brunanburh , William Morris 's translation of Beowulf , and Ezra Pound 's translation of The Seafarer .
Stevenson's lecture "The Future and What to do About It" at QED 2016. Mark Stevenson (born 1971) is a London-based British writer, businessman, public speaker and 'reluctant' futurologist , as well as a semi-professional musician and former comedian.
Similarly, many poems of Wallace Stevens convey a struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of ...
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
In 1961, C. S. Lewis published An Experiment in Criticism, in which he analyzed readers' role in selecting literature. He analyzed their selections in light of their goals in reading. As early as 1926, however, Lewis was already describing the reader-response principle when he maintained that "a poem unread is not a poem at all". [10]